Are We Taking Color For Granted? Jean-Luc Godard's 10th feature film reminds us what color once meant for cinema, and just how far we've strayed from it.
Anderson's Potent Take on the Paternal Bond One of the biggest complaints about Wes Anderson is that his films, down to their smallest detail, exude pretension. His newest film, The Phoenician Scheme (2025), is like sitting in a philosophy seminar, or perhaps more fittingly, an art history seminar, listening to privileged undergrads overanalyze the importance of an
What Does “Greatest Movie of All Time” Mean, Exactly? We have an obsession with lists and aggregated polls that crown a single film as the champion of the art form, but we think precious little about what we mean by that prestigious label.