Milly Guemple

Milly Guemple is a current Sarah Lawrence College student pursuing writing, filmmaking, and philosophy.

New York City, New York RSS
Are We Taking Color For Granted?

Are We Taking Color For Granted?

Jean-Luc Godard's 10th feature film reminds us what color once meant for cinema, and just how far we've strayed from it.

Anderson's Potent Take on the Paternal Bond

Anderson's Potent Take on the Paternal Bond

One of the biggest complaints about Wes Anderson is that his films, down to their smallest detail, exude pretension. His newest film, The Phoenician Scheme (2025)

The Calculated Discomfort of Queer (2024)

The Calculated Discomfort of Queer (2024)

Queer (2024) is a dizzying depiction of the disjointed existence of Lee (Daniel Craig), an expatriate living in Mexico City, whose life has been consumed by

David Fincher and Gendered Excess

David Fincher and Gendered Excess

There's a certain genre of film that I've actively avoided throughout my life, that being the excessively acclaimed, oversaturated collection of films

Through the Olive Trees (1994) and Suspension of Disbelief

Through the Olive Trees (1994) and Suspension of Disbelief

Through the Olive Trees (1994) is a film I understood long before I was able to properly watch it. During my first year of college, my screenwriting professor played the film's final sequence over and over again, about 20 times, before allowing us to process it altogether...

Lights, Camera, Algorithm!

Lights, Camera, Algorithm!

By now, it’s unlikely that you haven't seen the endless AI-generated Studio Ghibli portraits. It's ironic that Hayao Miyazaki himself famously said, “I strongly feel that this is an insult to life itself…” during a presentation of an AI animation project.

In Defense of Asteroid City

In Defense of Asteroid City

The desire for praise and achievement can hinder our creative expression. Asteroid City’s criticism should remind us that art will always be subjective, and sometimes doing “too much” isn't always a bad thing.

Le Bonheur and the Fabrications of the Picturesque

Le Bonheur and the Fabrications of the Picturesque

Agnès Varda’s Le Bonheur uses radiant visuals to mask a deeper critique of male privilege, emotional labor, and the illusion of happiness. Through François’s idyllic perspective, the film questions who truly benefits from the picturesque.

Severance Season 2 and The Pitfalls of Sci-Fi

Severance Season 2 and The Pitfalls of Sci-Fi

I find there to be two different sections of the sci-fi genre that I frequently assimilate a piece of film or television into. Sprawling blockbuster ventures & less significantly franchised, and oftentimes suited for a younger audience.

20 Years After Pride and Prejudice

20 Years After Pride and Prejudice

In the 21st century, it’s only natural that we yearn for simpler times. We wish to understand what it was like to live in a

Sing Sing and the Redemption Found in Art

Sing Sing and the Redemption Found in Art

Sing Sing (2024) redefines prison drama, showing art as redemption. With a cast of formerly incarcerated men, it highlights theater’s power to transform lives and restore humanity.

Sean Baker's Battle Cry: A Plea To Revive Cinema Culture

Sean Baker's Battle Cry: A Plea To Revive Cinema Culture

This past Sunday at the 2025 Oscars, a low-budget, independently made film took home five Academy Awards. Written and directed by Sean Baker this film won Best Picture, Best Lead Actress, and three others, undeniably consecrating its widespread success.